This movie went through a lot of trouble before it came out. I remember a group of Ajith fans saying that he had no luck at all. And when it released it some how managed to survive the monsoon. May be because Simbu's so called romantic thriller chased people away to this one or there was something about the movie which made you want to see it. Anyway this is Ajith's best performance in years. he makes you forget the many poor aspects of the movie.The songs grow on you. I think the sentiment scenes worked really well with the audience. both the heroines have decent screen time. there are probably a few unwanted jokes placed in the movie. And yes i do not know what the title was all about ? but i give it 10 because i have never seen a movie single handedly saved by an actor.

VARALARU is a great movie, and lot of hard work in that film, P.C.Sriram, work is excellent, and A.R.Rehman, did a wonderful job.All songs are feast....The Director, K.S.Ravikumar, has add his stamp from the first scene itself. A fast-paced narration with some interesting incidents weaved in, which doesn't allow you much time to ponder on the flaws, and which camouflages the inadequacies of the script, makes 'Varalaru' engaging viewing. And the soul of the film is undoubtedly Ajit, who performs his three diverse characters with panache. The actor has put in much effort, demarcating each role with such finesse and understanding that it is a sheer delight watching him on screen. There is Shiva, the ageing business tycoon, bound to his wheelchair, sharing a strong bonding with his son Vishnu. Indulgent, while Vishnu whiles away his time with his cronies taking life easy. But then suddenly Vishnu starts behaving out of character, his drunken bouts and acts causing the father much shame and embarrassment. And when Vishnu professes to remember nothing of what he had done, the father takes him to a psychiatrist.With 'Varalaru' Ajit has bounced back with a vengeance and re-established his credentials as an actor who can deliver if given the right role and projected suitably.Then appears Jeeva, Vishnu's look-alike, and the cause of Vishnu's woes. Jeeva's target is Shiva, and his motive vengeance for the wrong done to his mother decades back. The flashback episodes has Ajit playing a classical dancer, and it is here that the actor scores. With his perfect body language to go with the character of the dancer, and the feminine mannerisms he adopts to go with it,Ajith cuts a fascinating picture. His classical dance number is performed with such finesse that it takes you by sheer surprise.

VARALARU , is a very good movie, and lot of hard work in that film, P.C.Sriram, work is excellent, and A.R.Rehman, did a wonderful job.All songs are feast....The Director, K.S.Ravikumar, has add his stamp from the first scene itself. A fast-paced narration with some interesting incidents weaved in, which doesn't allow you much time to ponder on the flaws, and which camouflages the inadequacies of the script, makes 'Varalaru' engaging viewing. And the soul of the film is undoubtedly Ajit, who performs his three diverse characters with panache. The actor has put in much effort, demarcating each role with such finesse and understanding that it is a sheer delight watching him on screen. There is Shiva, the ageing business tycoon, bound to his wheelchair, sharing a strong bonding with his son Vishnu. Indulgent, while Vishnu whiles away his time with his cronies taking life easy. But then suddenly Vishnu starts behaving out of character, his drunken bouts and acts causing the father much shame and embarrassment. And when Vishnu professes to remember nothing of what he had done, the father takes him to a psychiatrist.With 'Varalaru' Ajit has bounced back with a vengeance and re-established his credentials as an actor who can deliver if given the right role and projected suitably. The famished look of 'Tirupati' is gone, and we get to see a handsome, eminently watchable Ajit here.Then appears Jeeva, Vishnu's look-alike, and the cause of Vishnu's woes. Jeeva's target is Shiva, and his motive vengeance for the wrong done to his mother decades back. The flashback episodes has Ajit playing a classical dancer, and it is here that the actor scores. With his perfect body language to go with the character of the dancer, and the feminine mannerisms he adopts to go with it, Ajit cuts a fascinating picture. His classical dance number is performed with such finesse that it takes you by sheer surprise.

While Asin peps up the scenes in the earlier part with her vivaciousness, Kaniha gets the performing role as the older Ajit's pair.

The songs are nice to hear, going to hit the chart list soon. One of the great work of A.R.Rehman, Director K S Ravikumar, who had struck the right chord with the actor (in a dual role) in 'Villain' earlier, has done it yet again here too.

Everyone did their job perfectly. I recommend everyone to watch this movie.....i am sure you will love it.

The movie is really good due to Ajith's excellent performance in the role of a man with feminine character.

Since most part of the movie is shot when Ajith was during the period of reducing his weight, his looks are not same throughout the movie. This is really intriguing in the flow of the narration.

K.S.Ravikumar is in his usual stuff taking the plot of prostitution for the romance of the lead pair.

A.R.Rahman's songs are hummable and good to watch.Overall Ajith's performance raises this movie and it lived to its expectation and the long wait was worth.